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James Bond - Casino Royale Trailer. James Bond - Casino Royale ein Film von Martin Campbell mit Daniel Craig, Eva Green, Mads Mikkelsen. Neueste Userkritiken zum Film James Bond - Casino Royale auf lekstunden.se James Bond - Casino Royale Ein Film von Martin Campbell mit. James Bond - Casino Royale ein Film von Martin Campbell mit Daniel Craig, Eva Green. James Bond Official Ultimate Blu-Ray Boxset Trailer - Englisch. Der geheimnisvolle Le Chiffre fungiert als Geldwäscher für international operierende Terrororganisationen und vermehrt mittels geschickter Börsenspekulationen seinen Reichtum. In diesem Sinne ist auch Bonds allzu wuchtige Bodybuilding-Statur zu sehen: FSK ab 12 freigegeben. Doch dafür sind zum ersten Mal die Figuren zumindest die hauptsächlichen echte Charaktere. Zwar ist James Bond in diesem Film nicht mehr "Mr. Ich fand es gut, denn lieber mal wieder ein Wechsel im Konzept als einen immer unglaubwürdigeren und übertechnisierten James Bond mit "FrauenfalleninOhnmachtGarantie". Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Die zweite Verfolgungssequenz am Flughafen von Miami ist eher traditionell zerstörungswütig, hat aber trotz fliegender Polizeiautos immer noch Bodenhaftung. Ich erwarte von einem Bondfilm kein cineastisches Oscar-Wunder. Ihr wolltet schon immer mit einem Knopfdruck das Nummernschild wechseln können und euch fühlen wie James Bond? Darum darf James Bond schwarz sein, Batman aber nicht. Und so ist es denn auch kein Wunder, dass Craig in seiner Rolle mehr glänzen kann als die meisten seiner Vorgänger. Sehr viele Actonszenen und diabolische Bösewichte Aber immerhin, edle Anzüge zu tragen hat nun schon mal gelernt, ebenso wie sein legendäres: Das ist der erste Bond-Film, den ich nicht nur ganz nett, sondern richtig gut fand. Where the likes of Drax, Media markt schnapp des tages and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation. A return to form for an ailing franchise. Season 7 Black Lightning: Barbara Broccoli Michael G. An enjoyable, but undeserved, success for the Bond plutocracy: Creating convincing poker scenes in films is pretty difficult. There are indeed elements added to the plot, but they are completely congruent with it. Best of Netflix Movies and shows to binge now. I take it all back, lets have more bwt him and this sort of adventure. He may look like the lead singer of Franz Ferdinand in his haircut pokerstars casino download dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience. What's on diamond jacks casino rewards club "Mayans M. None of your personal details will be passed on to any other third party. Season 3 Saturday Night Live: Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions:

Bond Casino Royale Trailer Video

Casino Royale Movie CLIP - Parkour Chase (2006) HD Er war nicht vorhersehbar! Das ganze abgeschmeckt mit einem gut umgesetzten "erdigen" Agenten Plot mit handgemachter 3 star casino hotel ohne Brimborium und abgerundet mit Zeit- und Zeitgeist gemässer Darstellung. Kompliment, wie das gelöst wurde ohne jetzt plötzlich die Figur komplett aufzugeben. LeChiffre beim Spiel Beste Spielothek in Friedenthal finden, um ihn unter Druck setzen zu können. Zunächst macht sich Verunsicherung beim Bond-Kenner breit. Kein Megalomaniac mit Machtphantasien, sondern ein seelenloser Geldwäscher, der mit Börsenmanipulationen sich und einer internationalen Terrororganisation die Taschen füllt. Diese 10 Filme haben ihr Ende bereits früh selbst verraten Video Einige Filme machen aus ihren überraschenden Wendungen kein Geheimnis. Leider geschah es immer wieder bei den alten Filmen, dass diese im Verlauf der Serie ins Unlaubwürdige abgerutscht sind. Prompt befördert man ihn zum Geheimagenten mit Lizenz zum Töten und verleiht ihm den begehrten Titel pokerstars casino download der Doppelnull. Mit neuem Status verhindert Anschläge einer Terrororganisation, deren finanzielles Netzwerk vom Geschäftsmann Le Chiffre organisiert wird.

Its almost as if Daniel Craig is Bond's limo driver, assuming his boss's identity for a wild weekend away, would Clive Owen have been any better?

Directed in a workmanlike manner by Bond veteran Martin Campbell, who helmed the as yet unequalled 'Goldeneye' back in But to fire Pierce based solely upon the narrative absurdity of 'Die Another Day', just smacks of a knee-jerk response by an unseen corporate bureaucracy, bean counters who had the best Bond since Connery, and cut him loose because of one lazy script and bad CGI work.

An enjoyable, but undeserved, success for the Bond plutocracy: I look forward to the next one. Daniel Craig is in it. What you mean you need more.

This latest offering of James Bond is a return to his roots, and an explanation of why James Bond is well, James Bond. Its got its usual assortment of thrills, violence and special effects and because most of the stunts were done by the actors themselves there is a much more realistic feel to them - watch out in particular for the one at the beginning with the bloke who invented jumping off buildings and called it street gymnastics!!

And if you are a bloke there is one of the nastiest torture scenes around, yes even more hardcore than the beginning of 'Die another day', you'll want to cross your legs whilst watching that one.

Overall Danel Craig portrays this James Bond as a much harder, grittier character than previous incarnations and the film itself adds a freshness to an old story.

It seems like Bond has managed to re-invent himself after the fears of the character becomming stale and dated and lets hope there will be many more Bond movies to come.

From the out set you know that this is a new begginning for james bond,very realistic,great stunts beautiful women,great storyline,I went to cinema to see this movie and have now watched it on dvd a few times and still enjoy it very much.

Daniel Craig certainly brought a new James Bond to the screen. The opening scenes were tremendous and the pace did not fall throughout. The fact that there were no computerised stunts gave the film a more authentic if jumping from cranes and tankers crashing with buses is authentic feel and made you appreciate the true technical passion of the film.

Although there was some brutality in the film it did not compromise in any way. Along with a lot of people when it was announced that Daniel was to take the lead I was devastated.

I take it all back, lets have more of him and this sort of adventure. What a cracking movie! Daniel Craig takes the mantle of Bond as if he was born to wear it.

He is tough and rough - lean and mean. There is the usual Bond body count, including those he has slept with!

The action is non-stop and the story is believable. What makes this such a good Bond - apart from Craig - is that gadgets are at a minimum.

This is mainly man against man and returns Bond to its earlier, purer days. The soundtrack is good too. I would give this four or even five stars and a great recommendation.

If I could I would give this film 5 stars. This movie has had the treatment that the batman movies had they brought it back to its roots.

In some of the more recent bond movies plots had become far-fetched gadgets even more so E. This a true return to form, gritty real and plausible.

The selection of Daniel Craig as the new bond was an excellent choice in my opinion he is both stylish and sophisticated yet at the same time has the rough edge which is necessary for this movie since bond has just acquired is "OO" status.

I have high hopes for future movies however they have a hard act to follow since this was a true Ian Fleming"s is it possible for them to repeat this excellent show without the backing of an Ian Fleming novel, all I know is that I will be there when it come out to find out.

This film returns to 'Bond's' roots. No stupid gadgets or CGI, just muscle, guile and charisma. Right from the start you actually have the feeling that what you are watching is believable, rather than CGI fantasy, which is maintained for the full length of the film.

Daniel Craig has brought the franchise back to the top where it belongs. Dame Judy Dench is really getting the hang of M oozing power and authority.

Eva Green as Bond's accomplice Vesper Lund, is remote, hot and intelligent. Add to the mixture a menacing Mads Mikkelsen playing the ruthless arch enemy Le Chiffre and you have one hell of movie full of tension, action, romance and betrayal.

A must see for every true Bond fan. A return to form for an ailing franchise. James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.

James Bond heads to stop a media mogul's plan to induce war between China and the UK in order to obtain exclusive global media coverage.

James Bond uncovers a nuclear plot when he protects an oil heiress from her former kidnapper, an international terrorist who can't feel pain.

A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and attempting to regain his memory.

When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive. While investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve.

Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.

Jason Bourne dodges a ruthless C. James Bond goes on his first ever mission as a Le Chiffre is a banker to the world's terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market.

Bond, using help from Felix Leiter, Mathis and having Vesper pose as his partner, enters the most important poker game in his already dangerous career.

In the original Bond series, only a handful of films really attempted to touch base with the novels of Ian Fleming. No" showed the Fleming feeling for character and action, but introduced elements to the plot that detracted from the 'hard-boiled' spy story that Fleming thought he was writing; "Thunderball" came close, but that was because Fleming developed the story on commission for the film.

The decision to make a 21st Century version of Fleming's first Bond novel - and, beyond the update, to remain true to the novel, sans comic patter, sans sci-fi techno-schtick, sans major rewrite of the basic plot - promised to present Bond fans of all ages with a direct challenge.

Do we want the hard-boiled spy Fleming first envisioned - patterned after Chandler's Philip Marlowe and W. Somerset Maughm's Ashenden "or: Or would we really rather have the suave stand-up comedian and Playboy magazine contributor introduced by Broccoli, Maibaum, Young, and company, in the second Connery film, "From Russia With Love"?

Well, the votes are still being tallied on that. As someone who came to Bond reading "Goldfinger" at the tender age of twelve the phrase "round, firm, pointed breasts" has been an inspiration to me since , the closer the films came to the sense of the novels, the happier I was.

So of course, this version of Bond is a joyous surprise for me - my youthful daydreams have been vindicated and at last fully satisfied.

There are indeed elements added to the plot, but they are completely congruent with it. There is the use of current technology, but no techno-schtick - i.

There are the luscious Bond babes 2 - the minimum Bond requirement , but there is no attempt to reduce them to photogenic sex-toys.

The film's opening this novel out to the world is actually quite welcome, and does not affect the central plot or its theme. The character of Bond presented in this film may disappoint followers of the original films, but the news is, this is FLEMING's Bond - an orphan uncertain of his own identity, a disillusioned romantic trying hard to pretend he's incapable of emotions, a middle class, middle-brow, middle-level management type who just happens to kill people for a living.

But he does it extremely well. The other problem some general viewers may have is the level of violence in the film; having determined to film the novel realistically, director Martin Campbell has decided to ditch the 'B-movie' violence of most of the earlier films, and present us the violence with a hard 'British neo-noir' edge to it.

Given the romantic plot twist toward the end, this would be a perfect date movie - except that the violence left some of the female viewers in the theater I attended clearly unsettled.

That's not necessarily a bad thing, it just is part of the gestalt of the film's experience. Cambell's direction is very good; the writing is crisp; production values are very high; the photography is stunning.

Some of the stunt work is truly remarkable, worthy competition for Jackie Chan. The acting is rock-solid and believable for these characters.

There is plenty of muscle for the action-film fan, and some real brains for the more general viewer to ponder later. This film is best viewed with minimal reliance on knowledge of the previous series.

In fact, it functions perfectly well as a 'one-off', a film without a series. But of course, the ending invites a sequel. In Godzilla terms, Connery and Moore having given us the 'showa' Bond, Dalton and Brosnan the "Heisei" Bond, we now have the "Millenium" series James Bond - not a prequel nor even a 'reboot', but, really, an entirely new series about the same character.

It is probably too much to hope for, but maybe they can make the sequels just as good as this. As a genre film it never quite lifts above its genre; so normally I would only give it "nine stars" as a film.

However, as a film within its genre, it is top-of-the-line - so it gets a ten. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Keep track of everything you watch; tell your friends. Full Cast and Crew. Armed with a license to kill, Secret Agent James Bond sets out on his first mission as , and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.

What's on the "Mayans M. Top 25 Highest-Grossing Spy Movies. My Favorite Movies of all Time.

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Bond casino royale trailer Verleiher Sony Pictures Germany. Bilderstrecke starten 43 Bilder. Nicht, weil Craig seinen Job nicht gut macht. Warum, wie konnte man sich Spela live casino spel hos Casumo.com einen Fehltritt leisten? Zwar ist auch das Spielgeld drucken lassen zur Wende mit einem stur-renitenten Bond überschaubar kreativ, doch erkennbar sind mehr Realismus, mehr Emotion und weniger Oneliner und Overkill im Krieg gegen das Weltverbrechen. Das social trading erfahrungen abgeschmeckt mit einem gut umgesetzten "erdigen" Agenten Plot mit handgemachter Action ohne Brimborium und abgerundet mit Zeit- und Zeitgeist gemässer Darstellung. Verstand und Körper sind die Waffen Bonds, denn die gewohnten Gadgets gibt es nicht. Der neue Bond sieht aus wie Book of ra gaminator Jauch! Sogar Le Chiffre ist pokerstars casino download der üblichen Bösewichte, die mal eben so die Weltherrschaft anstreben, sondern selber ein Gehetzter Mads Mikkelsen holt denn auch praia da rocha casino viel aus der fischig-kalten Rolle heraus.
Beste Spielothek in Nierswalde finden Darum darf James Bond schwarz sein, Batman aber nicht. So bleibt einzig die Sorge, ob und wie die Weiterentwicklung Bonds in den kommenden Filmen weitergezeichnet wird. Agent James Bond soll ihn nun im Glücksspielhaus um ebendiesen bringen, beim Poker und mit Hilfe der verführerischen, zunächst überaus kratzbürstigen Kollegin Vesper Lynd Das ist aber leichter gesagt als getan, Birthday Bash Slot Machine Online ᐈ Slotland™ Casino Slots der Blut weinende Bösewicht besticht nicht nur als begnadeter Zocker, ergebnisse elfmeterschießen riecht auch schnell Lunte und unternimmt fortan alles, um den Beste Spielothek in Kleinpötewitz finden Bonds zu vereiteln. Der Film öffnet ungewohnt. Auch wenn der in eine klug gewundene Story eingebettet wurde. Ich hab bisher noch keinen besseren Bond gesehen. James Bond - Moonraker. James Bonds Kultauto gibt es bald wirklich zu kaufen — mit allen Gadgets. Verleiher Sony Pictures Germany.
Bond casino royale trailer Klicke auf einen der Sterne: Sogar Le Chiffre ist Beste Spielothek in Tiefensee finden der How to activate free spins on Casumo Bösewichte, die mal eben so die Weltherrschaft anstreben, sondern selber ein Gehetzter Mads Mikkelsen holt denn auch erstaunlich viel aus der fischig-kalten Rolle heraus. Ich glaube Herr Craig hatte nie zuvor einen Anzug an! Prima, endlich wieder ein dem man den schnörkellosen u. Kein Megalomaniac mit Machtphantasien, sondern ein seelenloser Geldwäscher, der mit Börsenmanipulationen sich und einer internationalen Terrororganisation die Taschen füllt. Diese 10 Filme haben ihr Ende bereits früh selbst verraten Video Einige Filme machen aus ihren überraschenden Wendungen kein Geheimnis. Doch der Weg paysafecard guthaben online kaufen ist steinig.
Bond casino royale trailer Er sollte es lieber auch lassen! Genau so wie mich die alten abgegriffenen und frauenfeindlichen Macho-Scherzchen u. Nachfolger von Daniel Craig könnte offiziell betway casino askgamblers Revolution bringen Wagt die beliebte Filmreihe einen radikalen Neuanfang? Auch wenn der in eine klug gewundene Story eingebettet wurde. Ohne wenn und aber! Die raue Neuorientierung des Franchise ist mit mehr als Bravour geglückt. In diesem Sinne ist auch Bonds Amsterdam Red Light District Slot - Play for Free Online wuchtige Bodybuilding-Statur zu sehen: Interviews, Making-Of und Ausschnitte. Die zweitlängste Pause der erfolgreichsten und langlebigsten Filmreihe der Welt liegt hinter uns. Diese ermöglichen eine bessere Dienstbarkeit unserer Website.

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Zum ersten Mal vielleicht. Bond, das ist hier noch nicht der kontrollierte und elitäre Charmeur sondern einer mit Stiernacken und Kurzhaarschnitt. Das sind doch wohl die klassischen Bond Eigenschaften! Der letzte mit Pierce Brosnan war da schon ein ganz schönes Popcorn Kino. Nicht, weil Craig seinen Job nicht gut macht. James Bonds Kultauto gibt es bald wirklich zu kaufen — mit allen Gadgets. Zwar ist James Bond in diesem Film nicht mehr "Mr. Eine tragende Rolle spielen allerdings Handys und Palms, womit zumindest in diesem Punkt nun jeder Bond sein kann. James Bond - Casino Royale.

When Bond kills an adversary in a hotel stairwell, the violence is nasty and brutal - and you feel bystander Vesper's shock and revulsion too.

She doesn't merely wince and get over it, as so many of her predecessors did; she's clearly traumatised. Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world.

This is a much more serious Bond than we've seen in many years. Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery.

Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.

Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.

The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.

It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper. For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.

All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films.

While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten.

With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

This movie has had the treatment that the batman movies had they brought it back to its roots. In some of the more recent bond movies plots had become far-fetched gadgets even more so E.

This a true return to form, gritty real and plausible. The selection of Daniel Craig as the new bond was an excellent choice in my opinion he is both stylish and sophisticated yet at the same time has the rough edge which is necessary for this movie since bond has just acquired is "OO" status.

I have high hopes for future movies however they have a hard act to follow since this was a true Ian Fleming"s is it possible for them to repeat this excellent show without the backing of an Ian Fleming novel, all I know is that I will be there when it come out to find out.

This film returns to 'Bond's' roots. No stupid gadgets or CGI, just muscle, guile and charisma. Right from the start you actually have the feeling that what you are watching is believable, rather than CGI fantasy, which is maintained for the full length of the film.

Daniel Craig has brought the franchise back to the top where it belongs. Dame Judy Dench is really getting the hang of M oozing power and authority.

Eva Green as Bond's accomplice Vesper Lund, is remote, hot and intelligent. Add to the mixture a menacing Mads Mikkelsen playing the ruthless arch enemy Le Chiffre and you have one hell of movie full of tension, action, romance and betrayal.

A must see for every true Bond fan. A return to form for an ailing franchise. I hope all those James Bond fanboys are choking on their up right now!

This is a great return to form for the franchise, a franchise that seems to start great with each new Bond and then slowly spiral down into unwitting parody with subsequent films.

At last a match for the Bourne series which was showing Bond up for the antiquated beast it is , there is now a raw energy about the character - I havent read any of the books so I dont know if this is how he is meant to be - and by god how Danier Craig pulls it off.

He carries the weight of the franchise with ease and yes, the jokes are still in there, but now they seem relevant to the situation and not some Carry On cast off.

Buy this beauty when it comes out - if it's anything like the recent Ultimate DVD versions it's gonna be well worth it This newest Bond film in an interesting new reboot for the saga.

Daniel Craig is a very different kind of Bond -- colder, tougher, his trademark wit much icier than ever before. And he relies on his brains and his guns rather than any flashy gadgets or expensive cars.

This makes Casino Royale feel more like a very well-executed suspense thriller rather than a typical Bond flick, so those expecting more of the same from will probably be disappointed.

But with a franchise this old, some change is probably a good thing, and judged on its own merits the film is definitely a winner. Enter your review of Casino Royale [].

We will post your review within a day or so as long as it meets our guidelines and terms and conditions. All reviews submitted become the licensed property of www.

None of your personal details will be passed on to any other third party. As someone who came to Bond reading "Goldfinger" at the tender age of twelve the phrase "round, firm, pointed breasts" has been an inspiration to me since , the closer the films came to the sense of the novels, the happier I was.

So of course, this version of Bond is a joyous surprise for me - my youthful daydreams have been vindicated and at last fully satisfied.

There are indeed elements added to the plot, but they are completely congruent with it. There is the use of current technology, but no techno-schtick - i.

There are the luscious Bond babes 2 - the minimum Bond requirement , but there is no attempt to reduce them to photogenic sex-toys. The film's opening this novel out to the world is actually quite welcome, and does not affect the central plot or its theme.

The character of Bond presented in this film may disappoint followers of the original films, but the news is, this is FLEMING's Bond - an orphan uncertain of his own identity, a disillusioned romantic trying hard to pretend he's incapable of emotions, a middle class, middle-brow, middle-level management type who just happens to kill people for a living.

But he does it extremely well. The other problem some general viewers may have is the level of violence in the film; having determined to film the novel realistically, director Martin Campbell has decided to ditch the 'B-movie' violence of most of the earlier films, and present us the violence with a hard 'British neo-noir' edge to it.

Given the romantic plot twist toward the end, this would be a perfect date movie - except that the violence left some of the female viewers in the theater I attended clearly unsettled.

That's not necessarily a bad thing, it just is part of the gestalt of the film's experience. Cambell's direction is very good; the writing is crisp; production values are very high; the photography is stunning.

Some of the stunt work is truly remarkable, worthy competition for Jackie Chan. The acting is rock-solid and believable for these characters.

There is plenty of muscle for the action-film fan, and some real brains for the more general viewer to ponder later. This film is best viewed with minimal reliance on knowledge of the previous series.

In fact, it functions perfectly well as a 'one-off', a film without a series. But of course, the ending invites a sequel.

In Godzilla terms, Connery and Moore having given us the 'showa' Bond, Dalton and Brosnan the "Heisei" Bond, we now have the "Millenium" series James Bond - not a prequel nor even a 'reboot', but, really, an entirely new series about the same character.

It is probably too much to hope for, but maybe they can make the sequels just as good as this. As a genre film it never quite lifts above its genre; so normally I would only give it "nine stars" as a film.

However, as a film within its genre, it is top-of-the-line - so it gets a ten. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Keep track of everything you watch; tell your friends. Full Cast and Crew. Armed with a license to kill, Secret Agent James Bond sets out on his first mission as , and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.

What's on the "Mayans M. Top 25 Highest-Grossing Spy Movies. My Favorite Movies of all Time. Share this Rating Title: Use the HTML below.

Interviews, Making-Of und Ausschnitte. Warum, wie konnte man sich so einen Fehltritt leisten? Türkei fußball spieleherrjeh, aus dem Alter mich über einen neuerdings kaltschnäuzigen, skrupellosen,brutalen, blutenden, schwitzenden und leidenden Bondcharakter zu echauffieren der das alte Unverwundbarkeits-Superhelden-Image auf den Kopf stellt bin ich längst raus. Zum ersten Mal vielleicht. Als Le Chiffre — durch die Aktionen von in Geld- und Erklärungsnot geraten — die Beste Spielothek in Üllnitz finden mit einem hoch dotierten Pokerspiel im Casino Royale aufbessern will, zeigt der Film ein ruhigeres Gesicht.

Bond casino royale trailer -

Die ziemlich guten Kritiken kann ich nun wirklich nicht nachvollziehen! Wie dieser muss Bond allerhand einstecken, kommt mit ordentlichen Schrammen davon. Worauf freut man sich denn wenn man in einen Bond Film geht?? Er sollte es lieber auch lassen! Soundgarden-Frontmann Chris Cornell ist tot: In diesem Sinne ist auch Bonds allzu wuchtige Bodybuilding-Statur zu sehen: Interviews, Making-Of und Ausschnitte.